Hey Allen. I'm no expert and the majority of the things I have to say is
mostly splitting hairs . But
This is my impressions of ya'lls music.
It seems to me that you've kinda slipped back into that old habit of
hesitating just a bit with your playing. Not on all of the songs but a
couple It goes along with what Zoran said about timing. Just a slight
hesitation will mess your timing up enough to make you rush to catch up and
you end up playing the notes you wanted to too fast and too many of em. Any
time you feel that this might be happening then go back to the old fixer
upper for awhile. Thats playing with the harp in one hand only. Timing is
everything so to me its worth it to abandon the two hand cup and sacrifice a
little tone to get the timing right.Speaking of tone. You're really sounding
good Allen. You're getting nice over tones a nuances into your playing. If
it were me I'd try to hold the notes that meld in with the singers voice
nicely a bit longer then while watching his fretting hand change when he
does. Hold a note there a couple seconds then go back to what you do
normaly which is very nice. As far as your music goes. Its better than the
average duo you'd run into. I know that you dont consider yourself a
vocalist but if you could find small spots in your songs where you could
harmonize with him a little I think it would give the music another
dimension and make it sound more complete. Its like adding another
instrument. His voice could use some help in places. He doesnt seem like
he'd be all that easy to play along with. His timing is a bit erratic. Just
a touch of reverb added to your recordings would give the sound more depth
as well. I especially liked your playing on City Of New Orleans though you
did a better than passable job on all of it
Post by ZoranWhere are you guys, Silk, Keith, everybody, Johnny, what's up guys. Harp
is beautiful instrument, no any question, no any answer, OK; regards to
all of you harp brothers.
Chears.
www.myspace.com/bigzdoomcomunity