salmon
2007-12-09 20:31:19 UTC
Bought two Bluesmasters for myself and a friend and can't praise them
highly enough.
I currently play a Delta Frost and was interested by the fact that the
Bluesmaster shared the same reedplates with the phosphor bronze reeds,
They do. They sound identical but the Bluesmaster has more comfortable
to hold stainless steel cover plates which extend over the entire
reedplate. From a design point of view it is a much nicer solution and
will be easier to keep clean than the Delta Frosts. Also, the
reedplates on both the Bluesmaster and the Delta Frost have seven
screw position holes to clamp the two reedplates to the comb. The
Delta Frost use only three of those plus the two holes for securing
the cover plates, making five holes used in total. The Bluesmaster,
due to its cover plate design, uses all seven screw holes, plus two
for securing the cover plates, making nine clamping positions in
total. This could improve airtightness, I'm not 100% sure but would
think it would.
The Bluesmaster to my mind is a tidier, better made job and comes with
a shell case which is virtually identical in every respect to the
Delta Frost case, apart from the colour and printing.
Both harps sound excellent and bending is a dream compared with the
problems I had with the Lee Oskars. There were none of the draw 2 and
3 problems that Lee describes on his website which really puts the
onus on the user rather than the build quality.
Both the Delta Frost and Suzuki Bluesmaster performed perfectly
straight out of the box. None of this re-gapping business was required
and nor should it be.
In conclusion they are both good harps but I think Suzuki come out top
for me and that's where my money will be going in the future.
highly enough.
I currently play a Delta Frost and was interested by the fact that the
Bluesmaster shared the same reedplates with the phosphor bronze reeds,
They do. They sound identical but the Bluesmaster has more comfortable
to hold stainless steel cover plates which extend over the entire
reedplate. From a design point of view it is a much nicer solution and
will be easier to keep clean than the Delta Frosts. Also, the
reedplates on both the Bluesmaster and the Delta Frost have seven
screw position holes to clamp the two reedplates to the comb. The
Delta Frost use only three of those plus the two holes for securing
the cover plates, making five holes used in total. The Bluesmaster,
due to its cover plate design, uses all seven screw holes, plus two
for securing the cover plates, making nine clamping positions in
total. This could improve airtightness, I'm not 100% sure but would
think it would.
The Bluesmaster to my mind is a tidier, better made job and comes with
a shell case which is virtually identical in every respect to the
Delta Frost case, apart from the colour and printing.
Both harps sound excellent and bending is a dream compared with the
problems I had with the Lee Oskars. There were none of the draw 2 and
3 problems that Lee describes on his website which really puts the
onus on the user rather than the build quality.
Both the Delta Frost and Suzuki Bluesmaster performed perfectly
straight out of the box. None of this re-gapping business was required
and nor should it be.
In conclusion they are both good harps but I think Suzuki come out top
for me and that's where my money will be going in the future.